Domain Master

[C] My name is Collier-Lynn Hillman I am 25 and I play drums and vocals. 

 

[L] My name is Landon Bernloehr I am also 25 years old and I play bass and sing a bit in Domain Master. 

 

Are you from Kalamazoo or someplace else?

 

[L] We’re both from Battle Creek. 

 

[C] I live in Kalamazoo now.

 

[L] I’m still in Battle Creek but I’m a regular visitor. 

 

How did you stumble on the Kalamazoo music scene?

 

[L] My friend Bailey Miller, he was in the band Supertan a while back. 

 

[C] I was also in that band Supertan.

 

[L] And we were friends in high school and he introduced me to the local shows happening in the scene like four or five years ago.

 

Is that how you met Collier?

 

[C] We met at a college party a bunch of KCC Kellogg Community College kids were having this party and I only knew a couple of them but I came out with a one of my friends and then we were like sitting in a circle in the kitchen and then me and Landon started talking about Brock Hampton. Then I was like this is a cool dude. I was like hey I got weed in my car you wanna come out? So we hung out, we just smoked in my car and then a few months later we met again through Bailey and then we just been good friends ever since. 

 

I want to hear a little bit about, well I know that you’re in Pink Pout, right, but yeah just about your past projects you’ve been apart of.

 

[L] Pink Pout, my other band is a hardcore band with other members throughout the West Michigan metal scene. We’ve got members from Battle Creek, Marshall, Grand Rapids and it’s going pretty strong. We actually just finished recording our album recently and that’s going to get mixed and mastered hopefully for like a late spring early summer release, and I’ve been in some high school bands but nothing serious. My first project was a band called Nimbus, also with Bailey Miller on guitar and my buddy Brandon on drums and it was just three dudes jamming for fucking fifteen minutes at a time with no real direction and it was awesome. I’ve done a couple shows with a noise project in the past I called Banana Veins. I would just go up there with my bass and a bunch of different effects pedals I’d go out in one of those plague doctor masks I got from renaissance faire and like a fucking painters suit just for a silly costume. No clear song structures whatsoever, just a little noise project. 

 

[C] Yeah that Supertan, Banana Veins show went hard. 

 

What was the first house show you attended in Kalamazoo?

 

[L] Had to be like 2018 I wanna say. 

 

When did Domain Master start performing?

 

[C] We started performing in October, our first show was at the first Backrooms show. It was I think probably still to this day honestly the hypest show I ever played in my life. The crowd was just on a different level that night, I swear to god. We started performing then. We started talking about doing a project together, god it was like maybe a year or two prior. We’ve jammed a little but together-

 

[L] Yeah we’d be like hey we should do something and then just like never go further with it. 

 

[C] It was like a month til the show and we had like one song and were like shit. In four practices we got like five songs down for that Backrooms set and it went better than I have ever hoped it could. The best shit I come up with comes out of being in a high pressure situation. 

 

What’s one of your favorite songs of yours to play?

 

[L] Bastards Blight easily. 

 

[C] Bastards Blight is a good one yeah, I like that one a lot. 

 

[L] There’s just such a simple raw, primal energy. 

 

[C] Yeah. There’s like a part where Landons playing one or two notes and I’m doing this really fun shuffle beat on the ride and everything, its great. I think probably my favorite to play is Screaming into the Void because I like going up in my higher register. I sound like Matt Belimi for like most the song and then it’s also got our probably hardest breakdown. 

 

I know there’s one song that it appears a couple times in your set, or at least like a riff maybe? 

 

[L] Oh like the opening and the closing riff? Cavorka. 

[C] That was Cavorka.

 

[L] That was the first or second song that we wrote. 

[C] Yeah I posted a video of me playing drums on instagram and it came from a beat that I played on that video. 

 

For this last show, was there some level of improv going on?

 

[L] Well out of necessity yeah, we both messed up on timings for a few songs and just like had to make do, roll with the punches. 

There was one part where you were hitting the cymbal I think just to get you guys back on track or something and you just had like the most epic buildup.

 

[C] I did not know that happened because I wasn’t trying to focus on getting us back on track I was just like let’s go come on. I guess it sounded cool which is great. 

 

It did!

 

[C] I blanked out the entire time, I didn’t even know I played a show. 

 

[L] I was like oh shit I fucked up the song I need to get back in there somehow how am I going to do this, and then I pull something out of my butt. 

 

You guys don’t have any music released currently right?

 

[C] We have one little live snippet recorded by you, and it sounds amazing I burnt it out pretty much. Landon has some equipment to record so we’re going to record some demos. Landon’s fretless is in the shop so once we get that back, we wanna get with our buddy Brendon Infante and start recording an album. All the songs that we have right now we’re gonna put on the album and we’re trying to come up with new stuff. We’re like we need to start jamming again because that when we get our songs is when we’re jamming. I would really love to start doing that more and get some more tracks on there because I feel like two, three, four more songs we’ll be at a really good size. 

 

What’s the songwriting process been like for you guys so far been like?

 

[C] I’ll go over to his place or he goes to mine and we’d just make some stuff up, maybe he’d make a riff and then I’d play along to it or I’d make some drum stuff, he’d play along to it. That’s pretty much most of our writing.

 

[L] Pretty organic I’d say, because I don’t know shit about music theory I’m just like- I have caveman brain is like oh power chord riff go — and I play in two successions woah that makes meaty mammoth riff. 

 

Do you think that plays into your sound at all? Having that kind of mindset

 

[L] Absolutely. 

 

[C] Oh 100 percent. I mean this project started as a way to just be as stupid as we possible can. I want it to be like we’re caveman beating on sticks. 

 

[L] Making songs about Seinfeld and such. 

 

[C] Making songs about Seinfeld and the Lighthouse. Would you say Pink Pout is more on the serious side in terms of writing?

 

[L] Yeah more so.

 

[C] Yeah because we both are in more serious projects, and my strengths are more serious writing but sometimes I just like to have fun. Sometimes I want to write a song about tripping balls on some mushrooms like in Screaming in the Void. It’s just a fun thing.

 

From the sounds of it, it sounds like it started off as just fun to do but I feel like it’s gotten a lot of momentum. You guys have played a lot of shows already. 

 

[C] Yeah after that first show we were like yeah this has some staying power. 

 

[L] One hell of a first impression. 

 

[C] I’ve never had that good of a first show. I don’t think I’ve ever had that good of a first show. it was like people near hurting themselves, like a girl hit her head on the fan that was right there and from what I heard she is alive and well and we’re thankful for that. Having people fall over and the pit almost falling on top of us, having just everyone in the entire room move it’s like, as a musician it’s one of the most powerful things you can experience, it drives you to keep going. 

 

So Domain Master is a Seinfeld reference right?

 

[L] Yes yes it is. Where the name domain master comes from there’s an episode in Seinfeld known as the contest, and in it, the members of the group start a contest to see who can go the longest without masterbating and throughout the episode the characters keep saying I’m the masters of my own domain and such, hence that’s where the name comes from. 

 

How big of a part do lyrics play in Domain Master?

 

[C] Not that much, I feel like I’m still working on lyrics for a bunch of songs that I think would fit. It’s just hard to sit down and just write out words that I think are good and once I do like a month later I’ll go back and be like man I got to change those, because I’m not feeling some of these things. So it is still a work in progress. Ideas are definitely there, I know what to write about. 

 

[L] Lyrics are a weak point for me because I never really sang and played before this project so just trying to find the right lyrics that fit with the rhythm of what I’m playing so it doesn’t throw my brain off since it’s like multitasking 

 

[C] I just don’t want to write lyrics that are cringe that’s it. 

 

What makes lyrics cringe?

 

[C] I don’t know I really like wordplay and I do not like cliches. I feel like there’s a lot of cliches like roaring like a lion, cut me like a knife, those are my biggest icks in terms of  writing music that I try to stay away from. Especially when I’m writing, more serious songs, I’ll write how I feel and I’ll be ahh I was kind of capping with that that’s not how I actually feel or I could explain that better, I could of made the lyrics fit a little better. 

 

What are some of the advantages of having a smaller band?

 

[C] Not having to deal with so many people.

 

[L] So many interconnecting parts and having it sound good, like I don’t know how Slipknot can do it, or like big jazz ensembles. 

 

[C] I’ve been in bands with as many as four people and especially when you have four people with different music backgrounds there’s going to be people who are going to really disagree with something you’re writing or really not be as reliable writing some stuff or reliable when it comes to shows and all that stuff and it’s nice because Landon, we have a lot of similar music in common and we’ve been very good friends for god like almost probably 6 years at this point.

 

[L] 5 I think. 

 

[C] Well we met back in 2018 so it’s been like 6 I think. 

 

[L] That’s 5. 

 

[C] That’ s 5 oh. Time is an allusion it’s not real. 

 

Do you guys ever see yourself having more people in your project or do you want to keep it your two-piece?

 

[L] We’ve thought about it, maybe for like guest spots. 

 

[C] Guests would be cool, guest vocalists maybe, have some I don’t know-

 

[L] Someone brings out a really unconventional instrument for a song or two.

 

[C] Not bring like a guitar player in or whatever, but have some weird stuff like bring some digereedoo players.

 

[L] Digereedoo player, trombone or whatever.

 

How do you guys describe your sound?

 

[C] Neanderthal cave metal.

 

[L] Big, beefy, Primus-like, raw, crushing edge. Primal.

 

[C] Yeah just primal I think that’s a good one word to describe it. 

 

And what are some of your guys’ biggest influences?

 

[L] Lightning bolt, that’s a huge one, they were like the reason I wanted to start a two piece because they are just a bass and drum noise rock band and the sounds they emulate is just massive. The energy of their shows is something I wanted to achieve in a similar way, and Primus, Les Claypool he’s like my biggest influence as a bass player. 

[C] Yeah I’d say mine are, I mean my favorite bands are Queens of Stone Age and Deftones. I mean yeah, we share that a lot, but I feel like for this project, my favorite two-piece of all time is Death From Above 1979 they’re a drum and bass duo. They’re the reason I wanted to be in a two-piece. I’ve been listening to them for a long time, I’ve seen them live, I’ve met them, they’re fantastic, but drumming wise my biggest influence is Dave Grohl. Just because he is one of the definitions of primal, beat the shit out of your kit as hard as you can. 

 

What are some of the most memorable sets you have played together?

 

[C] Other than the first one, I would say the Hell Hole show. Oh my God. 

 

[L] What an eventful day that was. 

 

[C] It was a long night there was a lot of artists that played that night and I’m shocked how many people stayed for that long and I also had a set with my band  Basement Window and we killed that set and then we had a break and then I had to go back and we played our set at the very end and the crowd was again insane. I feel like in our live shows, this band brings the primal aspects out of us and it also brings the primal aspects out of everyone  in the crowd at our shows. People like to try and hurt each other. There was some people I was seeing who was just bring their head back and just not know there were other people around them and I was just like calm down. We don’t want people to die at our set. We don’t want that liability. 

[L] We almost had to not play that show because my fretless bass that I use for that project it just stopped working all at the sudden. Fortunately our buddy Fred lent me his extra bass to use and as we were setting up no sound was coming out initially and it turns out I just didn’t plug it in all the way. I was like ah shit there’s like 100 people in here, can’t fail now. So that was a very up and down night.

 

How about let’s talk about your setup, your rig, any pedals you use. 

 

[L] Normally I use a five string fretless Ibanez bass but right now it’s in the shop, its getting fixed for some electrical problems, but I’m just using my other five string Ibanez, fretted. Ampeg head and cab, I don’t remember the specific details. Pedals, I use a couple overdrive pedals, like a boss bass overdrive and a walrus ages pedal, walrus distortion pedal, MXR bass chorus, MXR polyoctave pedal and a reverb pedal I think, that’s my rig. 

 

[C] I play drums. 

 

What brand’s your drum kit. 

 

[C] I don’t actually know honestly, I bought my drum kit from one of my friends during the pandemic. I was just getting tons of money from the government yeah I was out of work because of Covid. I don’t have enough money right now to buy cymbals, I want to. The only cymbals I have is a ride, hi-hat and then I had this ride that I bought around a year ago. It  cracked right before our first show and I was really scared and Landon was like I can help you pay for a new one I was like oh my god you’re the best. So we got and new one and I’ve been using that cracked ride as a crash and its one of the greatest cymbals I think I’ve ever had in my life, It gives such a gnarly tone, I love it. I hope it doesn’t break. I’ll just buy a new ride and break it myself. Just like cut into it, just to get the sound back if that happens. 

 

[L] Just like hacksaw into it.

 

[C] Yeah pretty much.

 

Do you know anyone else who does that?

 

[C] I don’t, I mean I’ve seen people who will play broken cymbals. I don’t know anyone specifically who does but I know if they do I’m trademarking that shit so I’m going to so sue y’all if I see a broken cymbal. 

 

You started playing bass when?

 

[L] When I was around 13 I started playing, so the last 12 years or so. I got a bass on Christmas that year, and yeah the rest is history. 

 

What did you gravitate towards in terms of learning how to play that instrument?

 

[L] Well at the time I got really into System of a Down and I was so enamored by their bassist Chavo just the way he looked and sounded and everything. I was like hey I wanna be like Chavo, so I just bought a bass and started learning System of a Down songs, I did not know a thing about tuning so my strings are tuned all over the place. I was just messing with the E-string only, because it sounded the coolest. I didn’t get lessons until like a year later. 

 

When did that transition happen when it was like alright Im seeking out lessons for this, I got what I needed to know theory wise and now I’m just going to do my own thing, like when did that happen? 

 

[L] Probably around high school I would say. I just wasn’t digging lessons, it was mostly sheet music and I was struggling to figure out the timing of sheet music translated into the real thing and I was like you know what screw this Im going to apply what I learned and just do my own thing probably like around sophomore or junior year.

 

And you grew up playing drums right?

 

[C] I did, drums was my first instrument. My dad has been playing drums since he was a kid. He bought a drum kit when I was around 4-6. I really looked up to my dad and I wanted to be a drummer just like him. He showed me the basics, and then after that it was on my own. I would just put headphones on and listen to music and play along to the music for most of my early drumming days. 

 

Do you guys still get stage anxiety at all?

 

[L] I get pre-show jitters all the time. It’s mostly anxious about my gear not working in some capacity cause if something’s wrong it could be a number of things and I feel like a turtle on my back. 

 

[C] I sometimes do still, there’s shows I do and then there’s just like the last show I played where I’m like oh I’m here to have fun I don’t care. It really depends on the night but I feel like at this point, I get less and less nervous because  I’ve been playing shows for a very long time and once I really know the songs it’s really just like I’m there to have fun at that point. If I’m playing at your guys’ house or somewhere I’v been to a million times, you have even less anxiety about that because it feels like just a welcoming environment. The kalamazoo music scene is a very like a lot of these shows are a very nice, welcoming environment and everyone’s really supportive and you never hear anyone booing or being an asshole or whatever nah everyone around here is a good sport about all of it and so its also hard to get anxiety because I know that everyone is going to show up and everyone’s going to be a great audience. 

 

Was music both of your guys’ first form of self expression or were you into other stuff first?

 

[L] It was a pretty early one. 

 

[C] I’d say music mostly for me. There has been times where I’m like what if I made a TV show or something what if I did some writing. 

 

What would your TV show be about?

 

[C] It would be about me and Landon going on some wacky silly adventures. 

 

[L] It’s like a buddy cop show but then we get a chimpanzee

 

[C] Yeah we have a chimpanzee sidekick, who says hey its bananas out here. 

 

Is that like a New Yorker accent?

[C] Yeah he’s from New York. 

[L] Yeah it takes place in Brooklyn. 

 

[C] He like broke out of the Brooklynn Zoo and we find him in our police headquarters and we’re like no sir, can we please keep this chimp? He’s our friend and then he’s like well shucks guys. All right. 

 

[L] 8 seasons and 10 Emmys later. 

What do you want people to know about the music that you make?

 

[L] It’s fun. Just turn your brain off and have fun with it. 

 

[C] We’re like a Marvel movie just go in and don’t expect too much substance…

 

[L] Hopefully not the current marvel movies. 

 

[C] Yeah maybe not the current marvel movies, we’re like endgame. We’re more like endgame, no that ones a bit too story heavy. I’d say we’re like the first Avengers. 

[L] The first guardians of the galaxy. 

 

[C] Just be stupid. Just come out, just be stupid, bang y’alls heads together. 

 

[L] Or like Mad max free road, we’re kind of like that too. 

 

What’s the best aspect of performing?

 

[L] Just like letting that energy out though the audience and seeing that, it fuels me in a way and gives me a body high just to know what crazy sounds we’re making is making people do this. It’s pretty exhilarating. 

 

[C] It’s crazy how especially before the pandemic shows around here were a little more tame, I would say most of the time people would just standing there, even if it were a heavy bill they’d stand there, they’d nod their head, but like since the pandemic has happened, shows have gotten so crazy and now seeing everyone moving and thrashing and yelling at stuff that I’m making on stage is just like the biggest compliment I can ever receive from anyone, and it’s great and I’m so happy anytime I see it. 

 

What is success for this project for you guys?

 

[C] I want to take over the world. We’re getting our names in big old lights on New York billboards, we’re gonna be in Rolling Stone Magazine. 

 

[L] I want to get big enough so that we’re playing in supermarkets and elevators. 

 

[C] We want to annoy supermarket workers while Bastards Blight is playing every few hours. 

 

[L] Especially around the holidays. 

 

[C] We’re putting out our Christmas album this year, we’re gonna play it at our local Meijer. 

 

Christmas Domain Master Album. 

 

[C] Honestly we should do a Christmas song this year. That would be kind of fun. But yeah I don’t know I want to get out there, I want to play more than Michigan, with my band Basement Window I just played in Chicago recently I’m like oh I can do that, I can leave Michigan and play places that aren’t Kalamazoo wow that’s crazy I didn’t know that the outside world existed. So I just wanna play as much as I can outside of that, and get as many people to listen to us as we can. 

 

What drives you to create in general?

 

[C] I aint doing anything else. Since I was a child I’ve been like I don’t have any career I want to do, nothing that jumps out to me career wise. Once I got to the end of high school and after high school I was like I really don’t know what to do. I had a bunch of friends around me that were either dropping out of college or not going in to college and that really inspired me to drop out of college my second year and just like pursue this the entire time because I’ve got nothing else I’m great at music wise or creative wise so this is what I got, this is what I’ve got to live for pretty much. 

 

[L] We’re not condoning dropping out of college by the way. 

 

[C] I am. Drop out. Don’t become that doctor we don’t need anymore. No please become a doctor please we need more doctors. 

 

[L] I just think its’ fun to create no matter what platform or medium it might be and just like getting that inner creative energy out there on whatever surface it might be, I just like doing that. That’s the driving force I think. 

 

Then what makes music the best medium for you to create with?

 

[L] Because it’s fucking awesome. It’s really expressive too.

[C] With music you’re able to get a lot of your thoughts out there and especially the music you make kind of amplifies your thoughts like if I’m feeling sad and I’m playing a very sad piano melody that’s also a part of me being expressed along side what I’m trying to say so it’s both of those aspects coming together and you’re just putting full force yourself out there. 

 

We're towards the end of my questions, you got any?

 

[C] What do you got for us Ethan, lay it on us. 

 

[E] I only found out about this exactly 12 hours ago. 

 

[C] That’s enough time. 

 

Yesterday was great because I texted Domain master at 3am, instant response. I text Ethan at 4:20 am, instant response, I was like I love my friends. 

 

[C] Ask us the dumbest question you can. It doesn’t have to be about music honestly  just dumb. 

 

[E] Do you guys have a favorite fruits any vegetables?

 

[L] I like spinach, quite a bit. 

 

[C] Spinach is pretty good, some cooked spinach. I like blueberries a lot, especially like blueberry lemonade kind of stuff. Blueberries are pretty cool. 

 

[L] Bananas and honeycrisp apples, those are the shit. 

 

[C] Limes dude? Best citrus fruit of all time?

 

Dude what’s going down with punk hazard is that happening? 

 

[C] Punk hazard, my up and coming venue, we had a show scheduled for the 15 of April now I forgot we can’t do that because Basement Window has a show that day but I want to get it up as soon as possible some point soon. I got the instagram made, follow @punkhazard on instagram.  I’m almost ready we just got to get the basement decorated and all that stuff. We wanna get it up as soon as we can. 

 

If you had the ideal first show line up who would it be?

 

[C] Us. Obviously. 

 

[L] Lucuis Fox. 

 

[C] I was talking to Lucius Fox about playing our show too. We love them. 

[L] They are also a big inspiration for me to start a two piece. 

 

[C] Bronson Arm would be a really fun one to have. 

 

Just do a night of two pieces. 

 

[L] A trio of duos. 

 

[C] A trio of duos there we go. I would love to have Split Up out, play our place. I would love to have One with the Riverbed play with us. I love one with the riverbed. 

 

So do I. 

 

[C] They’re one of those bands where they are so heavy but they’re not a band that I want to mosh to they’re a band I want to just experience. 

 

[L] They’re more atmospheric. 

 

[C] They’re so atmospheric. 

 

[L] Blending elements of black metal and such. 

 

Yeah because they have these moments, these lapses in time where they go really in the opposite direction where its’ just like soundscape kind of stuff. 

[C] There was one moment at that show and I was baked out of my mind and they had this really nice atmospheric passes they were going through and it had been going on for a little bit and I was just zoning out and then they came back in and I swear to god I almost started crying. That shit hit. I love them. 

[L] They are all super nice too. 

[C] We’ve talked to them about playing and they want to play with us and we want to play with them. 

 

Do you have any estimates for when your recorded stuff will be out?

 

[C] This year. If it’s not this year we might as well fucking split. Before the whole bass fiasco, I wanted to start recording in January or February and get an album out by early summer but it seems like that’s not the best timeframe. I want to at least get it by the end of summer, maybe mid summer but  we’ll see how fast we can pump these songs out and how fast Brendon can work on them or whatever. I’ve been really inspired by this band Model Actress, they just released their new album recently and its’ just straight noise rock album. I want to add more to our songs  because there are some songs that we have that sound great with just us two live but maybe in a recording sense I would need to. We could sample that dog that’s barking in the background. I want more noise, some more atmosphere to some of the songs we have, because there’s some songs we could add little more to it where it could really pop, and so that album has been really inspiring me lately. So I want it to be more than just us two in the recording. 

 

Is there anything else you guys want to share or talk about?

 

[C] We have some shows, we have one at the Hellhole Sunday April 2nd which will be a great one. Hopefully they’re talking about maybe being outside which god I hope because I miss outdoor shows but I don’t miss shows getting shut down by the police. Then we’re going to go on WIDR, the basement show that’s April 21st that we’re going to be on the basement show on WIDR, which is exciting since I haven’t done the basement show since before the pandemic, playing at WIDR is so much fun. Playing on the radio is so much fun because you can’t see them but you know people are listening to you so you feel like there are eyes are on you even though you can’t see them. That’s fun for me I guess. 

 

Did you guys ever do karate growing up? Where did all this aggression come from?

 

[L] No.

 

[C] I remember when I was a kid I did a session of karate and I couldn’t do the splits and I just quit. I was like I can’t do this shit this is too hard. I did contact sports in high school I did football in junior and senior year because I couldn’t do it before that since I had Chrones disease. 

 

[L] That’s pretty shitty. 

 

[C] Oooh that’s a knee slapper right there. So I had Chrone’s disease so my junior year I went on the football team and I barely got to play because  I didn’t play before that. I did wrestling form 6th grade til my senior year of high school and that was a big instance of trying to get aggression out, it was really fun and I do miss it sometimes too but music has taken that part away. I still did music while I was doing wrestling, I was in a bunch of shitty bands in high school, but wrestling was my outlet to get a lot of frustration out and it was nice to like beat the shit out of kids, that was great and once I got out I was like well I’m not doing this shit anymore. 

 

Anything word from you, where does the desire to make aggressive sounding music stem from for you?

 

[L] Well just other aggressive sounding music makes my brain happy. 

 

[E] Some dog drama happening.

 

[C] Some dog drama. 

 

So aggressive music keeps your brain happy…

 

[L] I didn’t play any contact sports, I had so many teachers that wanted me to play football because I had this big frame as a twelve year old and I was like uh-uh. I went to one practice in high school, fucking hated it and just played a bunch of music to get that out. 

 

[C] I just wanted to play football because of the clout, I mean I also like football but the clout was cool. I barely got any of it because I didn’t really play. 

 

Clout by association. 

 

[C] I would walk down the hallway with my jersey on Fridays I’d be like I’m cool. I can’t wait to go stand on the sidelines for like a couple hours while my teammates do all the work and then maybe if we’re doing well enough I go out there and get hit. 

You get thrown in to make it interesting. 

 

[L] I remember the days of swim meets we all got dressed up in suits and ties and shit and I felt at the top of the food chain. 

 

[C] Yeah I did wrestling because we got to dress in suits. I did it for the drip. 

I was a tennis person. My name was on the announcements whenever I won a match. 

 

[C] Yeah, when you were in high school, if it wasn’t like Collier-Lynn Hillman please come to the principle office, it was always cool to hear your name on the announcements. That’s me! She just said it, I’m famous now.  I did broadcasting in high school and I did like the student news and I would be an anchor and that was always fun and people enjoyed my anchoring. I had a really good segment on channel 101 where I reviewed Super Bowl commercials and everyone loved that and then I had a really failed not funny follow up after that that got very mixed reviews. 

 

Which was what?

 

[C] Like the friends I had at the time were doing man on the street stuff and they were suer funny and good at it but at the time, especially on the fly I wasn’t as funny. I said the dumbest shit possible and then I was like I guess that’s a segment and then the segment I think was probably carried by my friends editing. It was bad. 

 

[L] That reminds me of a man on the street segment made by our buddy Max called Hulk Talk. Where he goes around Battle Creek, he paints his whole face green and just interviews people as the hulk and such across town. 

 

Does he still do that?

 

[L] No that’s been a few years. 

 

He’s been at it for 17 years!

 

[C] I can’t believe he hasn’t blown up yet, he should be bigger by now. 

[E] Are there any news articles about it? Where they’re just like the Hulk’s in town today. 

 

[C] Hulk spotted downtown Battle Creek today, interviewing people in the street. Unfortunately no the news is trying to hide it from us. 

 

[E] Big Media.

 

[C] Big media is trying to hide Hulk Talk from us and I think it’s time we stand up and we take a stand. 

 

We stand up and we stand. It’s about time we stand.

 

[C] I think its’ about time we stand for standing up. 

Um I think that’s it. 

 

[C] Yeah that’s fine. Love you all MWAH.